THE BAD!
It was almost difficult to choose my worst piece due to the fact that there were so many bad ones. In regards to this so called 'abstract cityscape' I was going for, I ask my self, "What is this?" In my early development of watercolor, I was really afraid of detail. I didn't understand how to make watercolor detailed. I felt like all I could do was big masses of shapes. I also got stuck on the idea of doing nothing but washes and and cool runs. This is all I would do. I wouldn't really go back in and add any detail. At the time a did this 'bad' image, I thought you could totally tell that it was a city skyline! YA...you definitely can't. When I first began doing watercolor I really enjoyed the process of working with the paint and brushes. Once I was finished with a piece I would step back and look at it and wonder, 'What in the world just happend? I thought this one was actually good!" Also, early on for some reason I didn't believe in drawing a scene in pencil first or using photographic references. I just kind of winged it and made things up. I DON'T KNOW WHY I WAS SO DUMB!
THE GOOD!
Now for something a little more pleasant to look at! I chose this piece because I felt like it was my first watercolor that really clicked. I wanted to try something different and just went for it. I based this whole image around the fact that I wanted to create some type of watercolor splatter. I wanted it to actually portray how expressive watercolor can be. I also felt like my figure was rendered very successful. I like how the beard and mouth turned out. I think the composition is fun. This watercolor was loose but still had structure. This whole time I have been fighting to not be so anal and loosen up with my brush strokes. I feel like I am finally getting it! Also, looking back at my early work you can tell that I was really afraid of color and water. I have learned that when dealing with watercolor you shouldn't necessarily try to blend every color perfectly together. I love how in watercolor you can see the fuzzed edge from color to color but it visually blends together.
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